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This temple deserves to be included in the list of monuments of National importance. This dwikuta temple with two garbhagrihas, standing side by side and both facing east was constructed in two periods. The earlier one is dedicated Shankara and the later to Narayana. The temple belongs to 12th century AD, the later Chalukyan, whereas the Narayana temple belongs to 14th century AD. The beauty of the temple is that the two are combined into one by common sabhamantapa. Here also the Sabhamantapa portion infront of the Shankara temple is of the 12th century, and one in front of the Narayana temple is of 14th century. Infact these portions are navarangas of respective temples, but merged with each other. While making these changes in 14th century, they have given utmost care to see that all the characteristic features of the earlier one is not obliterated in any manner. In fact, the added portion that is the Narayana temple merges beautifully with the earlier one and gives an impression that it is single temple with two garbhagrihas. Another interesting aspect is that there is no antarala to any one of the temples. Instead there is a narrow common passage in front of the two garbhagrihas running north to south to the width of the Sabhamantapa. The screen between Sabhamantapa and passage is beautifully carved with bas-reliefs of sculptures.

Mention may be made of Saraswathi, anthropomorphic nandi, shalabhanjika, ananthsayi Vishnu, Rathi-Manmatha are given very prominent position in this temple. Here also, in the panel of dashavatara Jaina Teerthankara is represented instead of Buddha. The central bay of the Sabhamantapa in front of the Shankara temple is decorated with bhuvaneswari or domical ceiling. This is beautifully carved and eight projections on eight directions in the domical ceiling are carved with ashtadikpalas. Sabhamantapa as a whole is provided with kakshasanas.

Condition of the Temple

The temple, especially the sabhamantapa is in worst condition. The sabhamantapa with double- roof is leaking profusely. The flooring slabs are disturbed. The architectural members of the kakshasana have gone out of their original positions in many places. Therefore, whole roof of the sabhamantapa will have to be dismantled and reset as per the original. The flooring will have to be reconditioned. The kakshawnas will have to be reset as per the original plan. The stone slabs of the courtyard will have to be dismantled dressed and re-laid. Very good arrangement should be made for the easy flow of rainwater from the premises. Fortunately, the foundation seems to be in good condition, except for disturbances in a few places. Therefore, strengthening of the foundation in such places is required.


 

 

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